Hello, I'm Josh. I'm a theatre director, podcast host, audio/video editor, writer, software trainer, occasional web developer, and New Yorker. If you're looking to get a hold of me via email, click here. If you'd like my CV, click here. For anything else, keep reading.
Since 2021, I've cohosted a podcast called The Worst of All Possible Worlds alongside my friends Brian Alford and A.J. Ditty. It's about media narratives and how they shape the world we live in. New episodes release every Wednesday and we have over 2,900 paid subscribers on Patreon.
I'm very proud of our show; here are links to a few notable and interesting free full-length episodes if you'd like to have a listen for yourself:
In June 2025, I launched a podcast called Ill Conceived with June Sternbach, who also cohosts Kill The Computer. The show covers natalism—the ideology that sees declining birthrates as the most important issue in modern American politics—and how it's a skeleton key to understanding both the MAGA movement and reactionary conservatism more broadly. New episodes release every Friday.
I regularly make guest appearances on other podcasts. Here's a few that I particularly enjoyed:
I love going on other podcasts, so if you think I'd be good on your show, drop me a line and let me know!
Since 2024, I've cohosted a Twitch stream called Traditional Scrench on Mondays and Thursdays from 4pm-6pm ET. We mostly watch YouTube videos and hoot and holler. Sometimes we do fundraising streams; in April we did a special event that raised over $13,000 in direct aid to Palestinian families in Gaza.
You can watch old VODs from the Traditional Scrench on our YouTube channel, or watch highlights on the Library of Traditional Scrench YouTube channel.
I have been directing and producing theatre since 2013. In August, I directed The Boy from Bantay, an autobiographical solo play by Jeremy Rafal about growing up in the Philippines and Hawaii, discovering a passion for classical music and cartoons, and becoming a concert pianist. We first staged this play at FringeNYC in 2015; this summer we took it to SpaceUK at Edinburgh Festival Fringe from August 1-16.
Some reviews the production received:
Through a mixture of sharply defined characterisations – of family members, friends and music teachers – plus extracts of the music he’s come to love, he succinctly summarises his school days, his continuing piano lessons in Hawaii, and his growing determination to become a classical pianist. … Rafal is an engaging, full-hearted performer, and his story is one of incident and colour, told with passion, humour and skill. As a theatrical package, he and the show are pretty irresistible.★★★★☆ - BroadwayBaby.com
Rafal is an engaging performer, successfully carrying the audience through his story, bringing each character onstage to life with his physical acting, eliciting laughs during the comic moments and heavy silence during the dark ones. His show is heartfelt and authentic with some real moments of weight, particularly as it draws to a close. … This show is both entertaining and poignant all at once.★★★★☆ - Theatre Weekly
Jeremy’s is a story told with verve, vulnerability, and artistic clarity—a story that refuses to be silenced, just as its teller refused to forsake his dreams. That Jeremy has chosen to share this journey onstage is a gift to audiences; that he has done so with such eloquence and heart is a testament to the transformative power of theatre.- Theatre Beyond Broadway
Jeremy also won Asian Art Fund Scotland's 2025 Asian Art Award for Outstanding Male Performer, which is awarded annually to one participant of the Edinburgh Festival Fringe, for The Boy from Bantay.
This summer I also directed a new play entitled Goatman by Jen Jarnagin. It was performed in mid-July as part of the SheNYC Summer Theatre Festival at Classic Stage Company in New York. The cast included Sarah Alice Shull, Marx, Dan Victor, and Chance Kester.
In February 2025, I directed a workshop production of a play titled My Brother Jake by Dave Osmundsen. The play is about two autistic brothers, both of whom are pursuing a life in the arts. It played at The Tank in New York City and featured Bennett Clarkson (left) and Dan Victor (right).
I regularly direct for the serialized play competition Serials, having started with its original incarnation at The Flea and continued with its current format at The Tank. Playwrights whose work I've directed for Serials include Tony Meneses, Jen Jarnagin, Jesse David Fox, and Nat Cassidy.
From 2016 to 2017, I was a founding member and the producing artistic director of Decent Company, an ensemble of theatrical writer-performers that produced a bimonthly showcase of new work. We produced seven shows over the course of fourteen months, showcasing 41 new short plays by a total of 25 different writer-performers.
Outside of my creative work, I have over seven years of experience as a software trainer, having facilitated group training sessions and developed interactive curricula for:
I am not currently active as a group trainer or facilitator but I still have a passion for helping people learn, so if you're interested in having me talk with your group about something, don't hesitate to let me know!
In 2018, I saw a MTA worker laying down a strip of yellow paint on a subway platform during rush hour, resulting in bright yellow footprints all over the train car. The post went viral on Twitter and I ended up hollering on CBS2 about it.
In 2023, I changed the profile picture and screen name on my Twitter account to make fun of Eric Adams and spoof Elon Musk's brilliant plan to eliminate account verification. The New York Times interviewed me to get to the bottom of the situation and then after the article was published I got banned from Twitter entirely.
Other interests of mine include electronic music, skiing, Star Trek, political theory, immersive sims, and the New York Mets.
If you're still reading this, thanks! I'd love to hear from you. You can find me on Bluesky @bosh.worstpossible.world or send an email to hello@joshboerman.com.